Florence Free Self-Guided Audio Tour

Localada’s free Florence audio guide covers 16 stops: 7 sights, 2 places to eat, 2 shops and 5 experiences, narrated in 15 languages. Seeing all 7 sights takes roughly 10.5–13.5 hours of visiting time, before travel between them. 12 of the 16 stops come with a Localada perk, such as 5% off GetYourGuide tickets or a discount at a verified local restaurant or shop.

Opening hours, perks and visit times below come from the live Localada app and were last checked on 29 October 2026. Always confirm on the day: hours can change for holidays and prayer times.

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Florence audio guide stops at a glance

#StopTypeTime to allowHoursClosedTodayNearest transportLocalada perk
1The Duomo & Brunelleschi's DomeCathedral2 hours10:15–16:30Sunday—Duomo · C2 · at the square5% OFF
2The Uffizi GalleryMuseum2–3 hours08:15–18:30Monday—Piazza della Signoria · C1 · 3 min walk5% OFF
3The Accademia & Michelangelo's DavidMuseum1–1.5 hours08:15–18:50Monday—San Marco · C1 · 4 min walk5% OFF
4Palazzo Vecchio & the Secret PassagesPalace1.5 hours09:00–19:00——Piazza della Signoria · C1 · at the square5% OFF
5The Pitti Palace & the Boboli GardensPalace2–3 hours08:15–18:30Monday—Pitti · C3 · at the square5% OFF
6The Medici Chapels & San LorenzoChapel1 hour08:15–18:50Sunday—San Lorenzo · C1 · 3 min walk5% OFF
7The BargelloMuseum1–1.5 hours08:15–14:00Sunday—Piazza della Signoria · C1 · 4 min walk5% OFF
8Fresh Pasta Class with Unlimited WineCooking class3 hours10:00–21:00——San Lorenzo · C1 · 3 min walk5% OFF
9The Perfume MasterclassWorkshop2 hours10:00–19:00Sunday—Santa Maria Novella · T1 · 6 min walk5% OFF
10Pizza & Gelato Making ClassCooking class3 hours10:00–22:00——Pitti · C3 · 6 min walk5% OFF
11Florentine Steak & Wine Food WalkFood tour3–4 hours10:00–21:00Sunday—San Lorenzo · C1 · 2 min walk5% OFF
12Paint & Wine over the Ponte VecchioWorkshop2 hours10:00–20:00——Ponte Vecchio · C3 · 4 min walk5% OFF
13Trattoria SostanzaTrattoria—12:00–22:00Saturday, Sunday—Santa Maria Novella · T1 · 7 min walk—
14Il Santo BevitoreRestaurant—12:30–23:00——Santo Spirito · C3 · 5 min walk—
15Scuola del CuoioShop—10:00–18:00Sunday—Santa Croce · C2 · 4 min walk—
16Officina Profumo-Farmaceutica di Santa Maria NovellaShop—09:30–20:00——Santa Maria Novella · T1 · 5 min walk—

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Sights in the Florence audio guide

The Duomo & Brunelleschi's Dome

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The Duomo & Brunelleschi's Dome, Florence

They put up the cathedral with a hole in the roof and left it that way for over a century.

The plan called for a dome a hundred and forty-three feet across, wider than anything built since antiquity, and nobody in 1296 knew how. Vaults that size needed wooden centring to hold them while the mortar set, and there was not enough timber in Tuscany. So the walls went up, the crossing was left open to the sky, and Florence waited.

Filippo Brunelleschi won the commission in 1418 with a proposal he refused to explain, apparently because he was afraid of being copied. He built it with no centring at all — two shells, one inside the other, four million bricks laid in a herringbone pattern that locked each course in place as it went up. The pattern is the trick. Each ring supports itself as it closes.

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The Uffizi Gallery, Florence

Uffizi means offices. That is literally what this was.

Cosimo I de' Medici wanted the city's magistrates under one roof where he could keep an eye on them, so in 1560 he had Vasari build a long U of administrative rooms running down to the river. The family started hanging their art in the top-floor corridor. Visitors had to ask permission to see it. By 1765 it was open to anyone, which makes it one of the first public museums in Europe.

What hangs here is not a collection of Renaissance paintings. It is the collection — Botticelli's Birth of Venus and Primavera in the same room, Leonardo's Annunciation, Michelangelo's only finished panel painting, Caravaggio's Medusa on a shield.

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The Accademia & Michelangelo's David

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The Accademia & Michelangelo's David, Florence

The marble had been sitting in a cathedral yard for forty years when Michelangelo got it.

Two sculptors had already tried. One cut a rough channel between what would become the legs and abandoned it; the block was declared ruined, too tall and too narrow to be useful. It was known around Florence as the Giant. Michelangelo was twenty-six when he asked for it.

He worked for two years behind a wooden screen and let nobody in. When it came out in 1504 a committee including Leonardo da Vinci argued for weeks about where to put it, and it took forty men four days to move it half a kilometre to the Piazza della Signoria.

Stand to the left and look at the right hand. It is out of proportion, deliberately — the hand of a man about to do something, swollen with blood, veins up. The sling is over the shoulder and the stone is in it. This is the moment before, not after.

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Palazzo Vecchio & the Secret Passages

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Palazzo Vecchio & the Secret Passages, Florence

The building has a second building inside it.

Florence has governed itself from this fortress since 1299, and when the Medici moved in they did what ruling families do: they built ways of moving around that nobody else could see. A staircase runs inside the thickness of a wall. A study the size of a wardrobe, the Studiolo, has no windows and panels that open — Francesco I kept his experiments and his collection in there and could reach it without crossing a public room.

Above the Hall of the Five Hundred there is a gap between the painted ceiling and the roof beams, and you can walk through it on a catwalk looking down at the back of Vasari's frescoes.

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The Pitti Palace & the Boboli Gardens

The Pitti Palace & the Boboli Gardens, Florence

Luca Pitti was a rival banker, and the story Florence tells is that he wanted windows larger than the Medici doorway.

He went bankrupt before it was finished. A century later the Medici bought the shell, moved in, and spent two hundred years making it four times bigger. Then the kings of Italy used it. Then it became a museum, and the paintings hang the way the Medici hung them — frames touching, three rows high, Raphael next to Rubens with no explanatory label in sight. It is the opposite of a modern gallery and it is worth seeing for that alone.

Behind the palace the hill rises into the Boboli, which invented the Italian garden as an idea — terraces, long axes, an amphitheatre cut into the slope with an Egyptian obelisk at the centre. Half the statues are Roman originals. Nobody agrees how the Medici got them all.

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The Medici Chapels & San Lorenzo

The Medici Chapels & San Lorenzo, Florence

The family that ran Florence for three centuries is buried behind their parish church.

San Lorenzo was the Medici church, and the chapels attached to it were built to hold them. The Chapel of the Princes is the loud one — an octagon lined floor to dome in inlaid semi-precious stone, porphyry and jasper and lapis, worked by a dedicated workshop that took almost three hundred years to finish it. It is extraordinary and slightly oppressive.

The New Sacristy next door is Michelangelo's, and it is the opposite. Two tombs, four reclining figures: Dawn and Dusk on one, Night and Day on the other. The commission was for a much bigger scheme and he left Florence before completing it. Several figures are unfinished and the room is better for it — you can see the chisel stopping.

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The Bargello

The Bargello, Florence

This was a prison, and before that the police barracks. Executions happened in the courtyard. The word bargello meant the chief of police.

It is now the sculpture museum, and it holds the pieces the painting galleries do not: Donatello's bronze David, Verrocchio's, Michelangelo's drunken Bacchus, the two competition panels that started the Renaissance argument.

Donatello's David is the one to walk around. Cast about 1440, it was the first free-standing nude bronze made in Europe since antiquity, and it does not look like a hero. The boy is slight, almost smirking, wearing nothing but boots and a shepherd's hat with laurel on it. Goliath's severed head is under his foot and one of the giant's helmet feathers runs up the inside of the boy's leg. Scholars have been arguing about that detail for a hundred years.

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Where to eat: verified local picks

Trattoria Sostanza

Trattoria Sostanza, Florence

Open since 1869 and known to everyone in Florence by its nickname, Il Troia — the trough — because of the way people used to crowd in and eat.

It is one long room with marble-topped tables, paper cloths, a tiled wall and an open kitchen at the back with a coal-fired range. You sit where you are put, often with strangers. There are about ten things on the menu and most of them have not changed in a century.

The dish is petto di pollo al burro: a chicken breast cooked in an absurd quantity of butter in a copper pan and brought to the table in it, still bubbling. It sounds like nothing. It is the most argued-about plate of food in the city.

The other thing to order is the bistecca, which arrives on the bone and rare.

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Il Santo Bevitore

Il Santo Bevitore, Florence

The name means the holy drinker, and the room was a wine warehouse before it was anything else.

It sits on the Oltrarno side, away from the galleries, on a street of furniture restorers and picture framers. Long wooden tables, white walls, shelves of bottles, paper menus printed each day because the menu changes with what arrived that morning.

The cooking is Tuscan but not museum Tuscan — there will be a ribollita and a peposo, and there will also be something with raw fish or a vegetable treatment that would have baffled a cook here fifty years ago. The wine list runs long and deep into small Tuscan producers, and the staff will steer you if you let them.

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Shops: verified local picks

Scuola del Cuoio

Scuola del Cuoio, Florence

The leather school is inside a monastery, and it was founded to teach a trade to boys orphaned by the war.

In 1950 the Franciscan friars of Santa Croce and two Florentine leather families set it up in the old dormitory behind the basilica. The idea was simple: give the children of the war something they could earn a living with. It has been running ever since and now trains people from all over the world.

You walk in through the church cloister or down a long frescoed corridor from Via San Giuseppe, and the workshop is open — benches, gold-leaf tooling irons heating, someone skiving an edge down to nothing. They do not mind being watched; the watching is part of what the place is.

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Officina Profumo-Farmaceutica di Santa Maria Novella

Officina Profumo-Farmaceutica di Santa Maria Novella, Florence

Dominican friars started growing herbs here in 1221 to make remedies for their infirmary. They never stopped.

It opened to the public in 1612 and is one of the oldest pharmacies in the world still trading. You walk in off a plain street into a frescoed hall with vaulted ceilings, glass cabinets and the smell of eight hundred years of distilling.

Acqua di Santa Maria Novella was blended in 1533 for Catherine de' Medici to take to France, where it became known as water of the queen. It is still sold. So is a rose water the friars made for washing floors during the plague, and a pomegranate line, and smelling salts in a glass bottle.

The back rooms are a small museum: old majolica jars, brass stills, the original apothecary furniture.

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Experiences and activities

Fresh Pasta Class with Unlimited Wine

Fresh Pasta Class with Unlimited Wine, Florence

Egg pasta is a northern Italian thing, and Tuscany sits at the edge of where it stops.

South of here the dough is flour and water, shaped by hand, because historically there were no eggs to spare. North of here it is flour and yolk, rolled thin, cut into ribbons. Tuscany does both and argues about it.

You make it by hand: the well of flour, the eggs broken into the middle, the long business of kneading until the dough stops fighting back. Then rolling, which is harder than it looks and is the part people remember. Tagliatelle, ravioli, sometimes pici — the thick hand-rolled Tuscan strand that looks like a worm and is the oldest shape in the region.

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The Perfume Masterclass

The Perfume Masterclass, Florence

Florence has been making perfume since Dominican friars started distilling in a monastery garden in the thirteenth century.

The trade went to France with Catherine de' Medici, who married into the French court in 1533 and brought her perfumer with her. He is usually credited with starting the whole Grasse industry. The Florentine originals stayed where they were and kept working.

In the class you learn how a perfume is built — base, heart and top notes, and why the thing you smell in the first ten seconds is not what you will be wearing in an hour. Then you work through the organ of raw materials, iris root and bergamot and vetiver and the strange animal ones, and blend your own.

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Pizza & Gelato Making Class

Pizza & Gelato Making Class, Florence

Gelato was probably invented here, and the person usually credited was an architect.

Bernardo Buontalenti designed fortifications for the Medici and also built them an ice house. The story is that in the 1560s he served a frozen cream flavoured with bergamot, lemon and orange at a banquet for visiting Spaniards. The flavour still exists and is still called Buontalenti.

Gelato is not ice cream. Less fat, less air, served warmer — about minus twelve rather than minus eighteen — which is why it tastes stronger and melts faster on the spoon.

In the class you make the base, churn it, and find out why the stuff piled up in mountains behind glass in tourist shops is wrong: real gelato slumps, sits in a covered metal tin, and comes in colours that look duller than you expect.

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Florentine Steak & Wine Food Walk

Florentine Steak & Wine Food Walk, Florence

Bistecca alla fiorentina has rules, and they are not negotiable here.

It is a T-bone from a Chianina cow, a white breed raised in the valley south of here since Roman times. It is cut at least three fingers thick. It is grilled over wood or charcoal, five minutes a side, stood on the bone for a few minutes more, and it is served rare. If you ask for it well done you will be told no, politely, and that is not theatre.

The walk goes through the market and the side streets: lampredotto from a cart — the fourth stomach of a cow, simmered, in a bread roll, which is the Florentine street food and much better than it sounds — then pecorino, finocchiona salami with fennel, schiacciata bread, and Chianti alongside.

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Paint & Wine over the Ponte Vecchio

Paint & Wine over the Ponte Vecchio, Florence

Everyone photographs the Ponte Vecchio. Almost nobody sits down and looks at it for two hours.

That is the whole idea. A terrace above the river, an easel, paints, a glass of something, and a bridge that has been standing since 1345 in front of you. No experience needed and the point is not the painting.

What you notice when you are forced to look is how little of it is a bridge. Shops were built onto it in the fourteenth century and then extended outwards on timber brackets hanging over the water, which is why the back of it looks like a row of houses falling into the Arno. The windows are all different because each shopkeeper built their own.

Above the shops runs the Vasari Corridor, a kilometre-long private passage the Medici used to walk from the Palazzo Vecchio to the Pitti without touching the street.

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Florence audio guide: frequently asked questions

Is the Florence audio guide free?

Yes. Localada’s Florence guide is free: create a free account and open it in your browser, no app download needed. It includes 16 stops, audio and written stories, a route map and scam-awareness tips. Tickets for paid sights are bought separately; booking through Localada’s GetYourGuide links gives 5% off.

How many stops are in the Florence audio guide?

There are 16 stops: 7 sights, 2 places to eat, 2 shops and 5 experiences.

How long does it take to see the main sights in Florence?

Visiting all 7 sights in the guide takes about 10.5–13.5 hours, not counting travel between them. The Uffizi Gallery needs the most time (allow 2–3 hours).

Which Florence sights are closed on certain days?

6 of the 7 sights have a weekly closing day: The Duomo & Brunelleschi's Dome (closed Sunday), The Uffizi Gallery (closed Monday), The Accademia & Michelangelo's David (closed Monday), The Pitti Palace & the Boboli Gardens (closed Monday), The Medici Chapels & San Lorenzo (closed Sunday) and The Bargello (closed Sunday). Plan these for another day of the week.

What time do Florence sights open and close?

The earliest opening in the guide is 08:15 (The Uffizi Gallery) and the latest closing is 19:00 (Palazzo Vecchio & the Secret Passages). Each stop’s hours are in the table above.

Are there discounts with the Florence guide?

12 stops include a Localada perk, for example The Duomo & Brunelleschi's Dome (5% OFF), The Uffizi Gallery (5% OFF), The Accademia & Michelangelo's David (5% OFF), Palazzo Vecchio & the Secret Passages (5% OFF), The Pitti Palace & the Boboli Gardens (5% OFF) and The Medici Chapels & San Lorenzo (5% OFF). Show the code in the guide at verified restaurants and shops; ticket discounts are applied at GetYourGuide checkout.

What can I do in Florence on a rainy day?

11 stops in the guide are indoors, including The Duomo & Brunelleschi's Dome, The Uffizi Gallery, The Accademia & Michelangelo's David, Palazzo Vecchio & the Secret Passages, The Pitti Palace & the Boboli Gardens and The Medici Chapels & San Lorenzo.

What is open in the evening in Florence?

These stops in the guide stay open late: Fresh Pasta Class with Unlimited Wine (until 21:00), Pizza & Gelato Making Class (until 22:00), Florentine Steak & Wine Food Walk (until 21:00), Trattoria Sostanza (until 22:00) and Il Santo Bevitore (until 23:00).

How do I get between the stops in Florence?

The Florence route is designed to be walked: the stops sit close together and the map shows the walking order.

Which languages is the Florence audio guide available in?

Narration and text are available in 15 languages: English, Turkish, German, French, Spanish, Italian, Portuguese, Dutch, Polish, Russian, Arabic, Persian, Chinese, Japanese and Korean.

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